Selected Projects:

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  • Osamu James Nakagawa

    Osamu James Nakagawa

    A limited edition set of Piezography prints on Japanese kozo paper and handmade conservation folder

  • Saskia De Brauw

    Saskia De Brauw

    Prints on various thin substrates including Japanese Kozo paper, glassine paper, and tissue paper. Custom "pockets" were added to the top and bottom of each print that house thin hollow iron bars. These bars offer rigity and provide a contemporary suspension mechanism.

  • Evan Roth

    Evan Roth

    High resolution scan for the artist's Multi- Touch Paintings series

  • Cleaning of a color chromogenic print by Luc Delahaye from a private collection

  • Stephan Crasneanscki & Ilan Engel Gallery

    Stephan Crasneanscki & Ilan Engel Gallery

    Comprehensive image optimization and exhibition prints for Ilan Engel Gallery

  • Jordan Tate

    Jordan Tate

    30 meter long prints exhibited on paper roll racks

  • Jean-Marie Ghislain

    Jean-Marie Ghislain

    Pigment inkjet prints used as references when printing the offset prints in the artist's book, The Invitation. For the printing step, Atelier Boba created a custom tint (slightly warm) that was applied at the time of output.

  • Do You Feel Better

    Do You Feel Better

    Prints on a very smooth matte paper used to create CD covers

  • Jordan Tate

    Jordan Tate

    Differential gloss printing technique involving multiple printings with different black inks on a high-gloss RC paper

  • Jean-Marie Ghislain

    Jean-Marie Ghislain

    Comprehensive BW image optimization and retouch under the supervision of the artist

  • Images before and after treatment of a cyanotype showing a large loss, tears, and adhesive residue.

  • James Rajotte

    James Rajotte

    Large edition of prints for the photographer's portfolio

  • Stephan Crasneanscki & Ilan Engel Gallery

    Stephan Crasneanscki & Ilan Engel Gallery

    Comprehensive image optimization and exhibition prints on baryta paper

  • Saskia De Brauw

    Saskia De Brauw

    Prints on various thin substrates including Japanese Kozo paper, glassine paper, and tissue paper. Custom "pockets" were added to the top and bottom of each print that house thin hollow iron bars. These bars offer rigity and provide a contemporary suspension mechanism.

  • O.W.P. & Grey Area Multiples

    O.W.P. & Grey Area Multiples

    Prints on a very thin, white, and opaque polyester for an edition of multiples. Box and portfolio provided by the artist and gallery.

  • Matt Calderwood & Grey Area Multiples

    Matt Calderwood & Grey Area Multiples

    Folded pigment inkjet prints on 100% recycled industrial offset printing paper

  • Kramer O'neill

    Kramer O'neill

    Custom designed artist book including folded prints on Japanese paper

  • Prints made on hand-coated Japanese paper for the back of this screen. This was part of an art restoration project being carried out by paper conservators Antonio Mirabile and Valeria Duplat

  • Paris 14-18: La Guerre Au Quotidien

    Paris 14-18: La Guerre Au Quotidien

    Over 200 40cmx60cm pigment inkjet reproduction prints for the exhibition Paris 14-18: La Guerre Au Quotidien at the Galerie des bibliothèques de la Ville de Paris. Atelier Boba chose a paper and designed custom tints that replicated the surface characteristics and color nuances of the original silver gelatin prints, made during the first world war. The prints were also varnished with a protective acrylic overcoat using another one of our machines, due to the fact that they would later be framed without glazing.

  • Owen Mundy

    Owen Mundy

    Line plotter print made with a .5mm pigment pen on smooth, heavy bond paper.

  • Jean-Baptiste Perrot

    Jean-Baptiste Perrot

    Line plotter prints made with wide felt tip graffiti markers filled with paint.