Piezography print on metallic paper
Image retouching and exhibition prints for Stephan Crasneanscki
High resolution scan for the artist's Multi- Touch Paintings series
Line plotter print made with a .5mm pigment pen on smooth, heavy bond paper.
Pigment inkjet prints used as references when printing the offset prints in the artist's book, The Invitation. For the printing step, Atelier Boba created a custom tint (slightly warm) that was applied at the time of output.
Line plotter prints made with wide felt tip graffiti markers filled with paint.
A limited edition set of Piezography prints on Japanese kozo paper and handmade conservation folder
Prints on various thin substrates including Japanese Kozo paper, glassine paper, and tissue paper. Custom "pockets" were added to the top and bottom of each print that house thin hollow iron bars. These bars offer rigity and provide a contemporary suspension mechanism.
30 meter long prints exhibited on paper roll racks
Differential gloss printing technique involving multiple printings with different black inks on a high-gloss RC paper
Comprehensive BW image optimization and retouch under the supervision of the artist
Large edition of prints for the photographer's portfolio
Prints on a very thin, white, and opaque polyester for an edition of multiples. Box and portfolio provided by the artist and gallery.
Folded pigment inkjet prints on 100% recycled industrial offset printing paper